"Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2, "Moonlight": I. Adagio sostenuto" by Ludwig van Beethoven, Igor Levit was released on September 13, 2019. With this song being about 5 minutes long, at 5:13, "Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2, "Moonlight": I. Adagio sostenuto" by Ludwig van Beethoven, Igor Levit is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 102 in Beethoven: The Complete Piano Sonatas by Ludwig van Beethoven, Igor Levit. Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2, "Moonlight": I. Adagio sostenuto is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2, "Moonlight": I. Adagio sostenuto by Ludwig van Beethoven, Igor Levit is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Richter: The Leftovers: She Remembers | Max Richter, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Minor | 0 | 11A | 172 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Khatia Buniatishvili | D♭ Major | 0 | 3B | 70 BPM | ||
Bluebird | Alexis Ffrench | B♭ Major | 1 | 6B | 75 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Le Carnaval des Animaux, R. 125: 13. Le Cygne | Camille Saint-Saëns, Christopher van Kampen, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | G Major | 0 | 9B | 130 BPM | ||
Adagio Variation (From Adagio in G Minor, Arr. for Violin and Piano by Svetoslav Karparov) | Tomaso Albinoni, Remo Giazotto, Gabriele Bagnati, Esther Abrami | G Major | 1 | 9B | 119 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM |
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