Carlos Cipa made "Today and it’s gone (Munich Session)" available on May 14, 2021. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Carlos Cipa's "Munich Session" album is number 1 out of 5. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Today and it’s gone (Munich Session) is currently average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Today and it’s gone (Munich Session) by Carlos Cipa to be Presto (very, very fast) because the track has a tempo of 187 BPM, a half-time of 94BPM, and a double-time of 374 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin - Prelude E-Minor OP.28 No 4 | Martin Bloch | E Minor | 0 | 9A | 68 BPM | ||
Goldberg Variations, BWV 988: Variation 1 (Arr. for Harp) | Johann Sebastian Bach, Parker Ramsay | C Major | 2 | 8B | 66 BPM | ||
After The Silence | Léon Branche | C Minor | 1 | 5A | 130 BPM | ||
Fidèle | Matteo Myderwyk | D Major | 0 | 10B | 174 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Le Musicien | Damjan Krajacic, Robert Thies | A Minor | 0 | 8A | 134 BPM | ||
Liszt: Wiegenlied, S. 198 | Franz Liszt, Bertrand Chamayou | A Minor | 0 | 8A | 62 BPM | ||
Le Matin | Dominique Charpentier | E♭ Minor | 1 | 2A | 153 BPM | ||
Mirror Symmetry - Solo Piano Version | Piano Novel | F♯ Minor | 1 | 11A | 136 BPM | ||
In Metaphor, Solace | Luke Howard | B♭ Minor | 1 | 3A | 116 BPM |
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