"Silenzio. Five Pieces for classical accordion, Violin and Cello (1991): II." by Sofia Gubaidulina, Geir Draugsvoll, Henrik Brendstrup, Arne Balk-Moller had its release date on March 11, 2014. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Silenzio. Five Pieces for classical accordion, Violin and Cello (1991): II.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 50 in Best - Sofia Gubaidulina by Sofia Gubaidulina, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Silenzio. Five Pieces for classical accordion, Violin and Cello (1991): II. is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Silenzio. Five Pieces for classical accordion, Violin and Cello (1991): II. by Sofia Gubaidulina, Geir Draugsvoll, Henrik Brendstrup, Arne Balk-Moller is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Sieben Worte (1982): 4. Mein Gott, mein Gott, warum hast du mich verlassen? | Sofia Gubaidulina, Elsbeth Moser, Boris Pergamenschikow, Christoph Poppen, Munich Chamber Orchestra | D Major | 1 | 10B | 113 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: XV. Arioso interrotto (di Endre Szervánsky). Larghetto | György Kurtág, Navarra String Quartet | C Major | 0 | 8B | 62 BPM | ||
Seven Words (Sieben Worte) for Cello, bayan (accordion) and strings: II. Weib, siehe, das ist dein Sohn. - Siehe, das ist deine Mutter. | Sofia Gubaidulina, Torleif Thedéen, 御喜美江, Mario Venzago, Gothenburg Symphony Orchestra | G Major | 0 | 9B | 127 BPM | ||
Nipponari, H. 68 "Japanese Folk Songs": No. 1, Modrá hodina | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F♯ Major | 0 | 2B | 88 BPM | ||
Duo concertant, K54: V. Dithyrambe | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
The Canticle of the Sun: No. 8, "Laudato si, mi Signore, per sora nostra matre terra" | Sofia Gubaidulina, Collegium Vocale Gent, Daniel Reuss, Pieter Wispelwey, Members of the Prometheus Ensemble | B Major | 0 | 1B | 96 BPM | ||
Crisis Modes for Percussion and Strings: I. Appeals | Vijay Iyer, Boston Modern Orchestra Project, Gil Rose | B Minor | 2 | 10A | 104 BPM |