"The Canticle of the Sun: No. 8, "Laudato si, mi Signore, per sora nostra matre terra"" by Sofia Gubaidulina, Collegium Vocale Gent, Daniel Reuss, Pieter Wispelwey, Members of the Prometheus Ensemble was released on January 1, 2009. With The Canticle of the Sun: No. 8, "Laudato si, mi Signore, per sora nostra matre terra" being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sofia Gubaidulina, Pieter Wispelwey, Collegium Vocale Gent, Daniel Reuss's "Gubaidulina: The Canticle of the Sun, Preludes for Violoncello Solo & In Croce" album is number 8 out of 25. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, The Canticle of the Sun: No. 8, "Laudato si, mi Signore, per sora nostra matre terra" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Canticle of the Sun: No. 8, "Laudato si, mi Signore, per sora nostra matre terra" by Sofia Gubaidulina, Collegium Vocale Gent, Daniel Reuss, Pieter Wispelwey, Members of the Prometheus Ensemble to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata | Sofia Gubaidulina, David Tanenbaum | C Major | 0 | 8B | 90 BPM | ||
Dialog: Ich und Du - Pt. 4 | Sofia Gubaidulina, Vadim Repin, Gewandhausorchester, Andris Nelsons | A♭ Major | 1 | 4B | 70 BPM | ||
Sequenza III for female voice | Luciano Berio, Luisa Castellani | F Minor | 0 | 4A | 88 BPM | ||
Verschwundene Worte | Wolfgang Rihm, Sol Gabetta, Bertrand Chamayou | E♭ Major | 0 | 5B | 138 BPM | ||
Seven Words for Cello, Accordion & Strings: IV. My God, My God, Why Hast Thou Forsaken Me? | Sofia Gubaidulina, Klaudiusz Baran, Marcin Zdunik, Sinfonia Varsovia, Michał Klauza | D Major | 2 | 10B | 86 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
Beers by the Lake | Thick Richards | G Minor | 0 | 6A | 145 BPM | ||
Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM | ||
Nuits | Iannis Xenakis, Schola Heidelberg, Walter Nußbaum | D Major | 2 | 10B | 123 BPM | ||
String Quartet No. 5: Movement I. | Philip Glass, Quatuor Molinari | A Minor | 1 | 8A | 85 BPM |
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