"Smetana: Dalibor: Interlude - Act Three" by Bedřich Smetana, Leonie Rysanek, Ludovic Spiess, Eberhard Wächter, Oskar Czerwenka, Adolf Dallapozza, Lotte Rysanek, Walter Kreppel, Tugomir France, Vienna State Opera Orchestra, Josef Krips was released on September 20, 2005. With Smetana: Dalibor: Interlude - Act Three being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 25 in Dalibor by Bedřich Smetana. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Smetana: Dalibor: Interlude - Act Three is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Smetana: Dalibor: Interlude - Act Three by Bedřich Smetana, Leonie Rysanek, Ludovic Spiess, Eberhard Wächter, Oskar Czerwenka, Adolf Dallapozza, Lotte Rysanek, Walter Kreppel, Tugomir France, Vienna State Opera Orchestra, Josef Krips is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
March of the Prague Student Legion in F Major, JB 1:36 | Bedřich Smetana, Jitka Čechová | F Major | 1 | 7B | 96 BPM | ||
Dreams, JB 1:103: No. 3, In Bohemia | Bedřich Smetana, Igor Ardašev | D Major | 1 | 10B | 83 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
30 Études de mécanisme, Op. 849: No. 1 in C Major. Allegro | Carl Czerny, Nicolas Horvath | C Major | 1 | 8B | 84 BPM |
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