Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 28.2 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 28.2 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:24. Based on our data, "Kapitel 28.2 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #58 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of Kapitel 28.2 - Wie Google tickt - How Google Works is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 28.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 173 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Kapitel 28.2 - Wie Google tickt - How Google Works being at 173 BPM, the half-time would be 86 BPM with a double-time of 346 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM | ||
Tosca / Act 3: Prelude - "Io de' sospiri" | Giacomo Puccini, Ann Murray, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | D Major | 2 | 10B | 101 BPM | ||
Gypsy Songs, Op. 55: No. 4, Když Mne Stará Matka Zpívat | Charlotte Hoather | D Major | 1 | 10B | 67 BPM | ||
Schumann: Liederkreis, Op. 39: No. 1, In der Fremde | Robert Schumann, Elisabeth Leonskaja, Brigitte Fassbaender | A Minor | 0 | 8A | 74 BPM | ||
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM | ||
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM | ||
Handel: Samson, HWV 57, Act 1: "Total eclipse!" (Samson) | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | E Minor | 1 | 9A | 75 BPM | ||
H.M.S. Pinafore / Act 1: Hail! Men o'war's men..I'm called little buttercup | Arthur Sullivan, The D'Oyly Carte Opera Company, Gillian Knight, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 1 | 8B | 87 BPM | ||
Miserere in F Minor: Asperges me hyssopo (Soprano) | Giuseppe Sarti, Tamiko Okada, Irene Olavide, Victor Micaleff, Alberto Bianchi, Faenza Lauda Sion Chorus, Ferrara, Gianfranco Placci | C Major | 1 | 8B | 117 BPM |
Section: 0.7890877723693848
End: 0.7928340435028076