On October 8, 2021, the song "Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 12 Canone alla Quarta" was released by Johann Sebastian Bach, Andrei Gavrilov. The duration of Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 12 Canone alla Quarta is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 12 Canone alla Quarta's duration is considered a little bit shorter than the average duration of a typical track. The song is number 83 out of 106 in Bach Piano by Johann Sebastian Bach, Various Artists. In terms of popularity, Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 12 Canone alla Quarta is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Var. 12 Canone alla Quarta by Johann Sebastian Bach, Andrei Gavrilov is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857 | Daniel Barenboim | F Minor | 1 | 4A | 71 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
3-Part Inventions (Sinfonias), BWV 787–801: Sinfonia No. 6 in E Major, BWV 792 | Johann Sebastian Bach, Wolfgang Rübsam | D♭ Minor | 0 | 12A | 149 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: III. Allegro assai | Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM | ||
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro | Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM |
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