Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend's 'Concerto Grosso I in G Minor, Op. 3: I. Ouverture-Grave' came out on March 26, 2021. With Concerto Grosso I in G Minor, Op. 3: I. Ouverture-Grave being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 93 in Baroque Concerti from The Netherlands by Musica ad Rhenum, Jed Wentz. In terms of popularity, Concerto Grosso I in G Minor, Op. 3: I. Ouverture-Grave is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Grosso I in G Minor, Op. 3: I. Ouverture-Grave by Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barabano | Giovanni Battista Vitali, Luigi Cozzolino, Semperconsort | D♭ Minor | 3 | 12A | 126 BPM | ||
Les goüts-réunis, ou Nouveaux Concerts, Concert No. 9 in E 'Ritratto dell'amore': VI. La noble Fierté | François Couperin, Héloïse Gaillard, Jeanne Jourquin | E♭ Minor | 1 | 2A | 131 BPM | ||
Grand Concerto in G Minor, Op. 3, No. 1: IV. Presto | Pieter Hellendaal, Archetti Baroque String Ensemble, Carla Moore | D♭ Minor | 1 | 12A | 67 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Il Prigionier Superbo: I. 01 Allegro e spirituoso | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 3 | 3B | 158 BPM | ||
Concerto grosso in B-Flat Major, Op. 1 No.3: II. Allegro | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 3 | 11B | 99 BPM | ||
Organ Concerto in G Major, BWV 592 (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): I. Allegro | Johann Sebastian Bach, Holland Baroque | F♯ Major | 2 | 2B | 120 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): I. Largo andante | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 96 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Sonata a tre No. 6 in G Minor, Op. 2: III. Grave | Nicola Francesco Haym, Arcangelo Corelli, Cappella Musicale Enrico Stuart, Romeo Ciuffa, Chiara Strabioli, Rebeca Ferri, Marco Vitale | F Major | 1 | 7B | 128 BPM |
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