Antonio Vivaldi, Riccardo Muti, Teresa Berganza, New Philharmonia Orchestra made "Vivaldi: Magnificat in G Minor, RV 611: II. Et exultavit (Ed. Malipiero)" available on January 1, 1977. The duration of Vivaldi: Magnificat in G Minor, RV 611: II. Et exultavit (Ed. Malipiero) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Vivaldi: Magnificat in G Minor, RV 611: II. Et exultavit (Ed. Malipiero)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Magnificat & Gloria by Antonio Vivaldi, Riccardo Muti, New Philharmonia Orchestra. The song's track number on the album is #2 out of 23 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Vivaldi: Magnificat in G Minor, RV 611: II. Et exultavit (Ed. Malipiero) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Vivaldi: Magnificat in G Minor, RV 611: II. Et exultavit (Ed. Malipiero) by Antonio Vivaldi, Riccardo Muti, Teresa Berganza, New Philharmonia Orchestra has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Magnificat in G Minor, RV 611: II. Et exultavit (Ed. Malipiero) being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in D Major, BWV 243: VII. Fecit potentiam | Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent, La Chapelle Royale | D♭ Major | 3 | 3B | 92 BPM | ||
Concerto grosso in D Major, Op. 3/1, RV. 549: II. Largo e spiccato | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Michaela Comberti, Miles Golding, Jaap Ter Linden, The English Concert, Trevor Pinnock | E♭ Major | 2 | 5B | 144 BPM | ||
Te Deum, H. 146: IV. Per te orbem terrarum | Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 180 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Mozart: Mass No. 16 in C Major, K. 337, "Missa solemnis": II. Gloria. Allegro molto (Chorus, Soprano, Alto, Tenor, Bass) | Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Patrizia Kwella/Ulla Groenewold/Christoph Prégardien/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum | B Major | 9 | 1B | 131 BPM | ||
Magnificat in D Major, BWV 243: X. Suscepit Israel | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | ||
Psalm 146, WAB 37: Solo and Chorus: Alleluja! Lobet den Herrn -Langsam | Anton Bruckner, Ania Vegry, Philharmonischer Chor München, Philharmonie Festiva, Gerd Schaller | A Major | 1 | 11B | 81 BPM | ||
Mass in C Major, Op. 86: V. Benedictus | Ludwig van Beethoven, Sir Colin Davis, London Symphony Chorus, Alastair Miles, John Mark Ainsley, Sara Mingardo, London Symphony Orchestra, Sally Matthews | F Major | 1 | 7B | 79 BPM | ||
Vivaldi: Gloria in D Major, RV 589: XII. Cum Sancto Spiritu | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | D♭ Major | 2 | 3B | 109 BPM | ||
Don Giovanni, K. 527: Là ci darem la mano | Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Lorin Maazel | A Major | 1 | 11B | 93 BPM |
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