Christiane Jaccottet's 'The Well-Tempered Clavier, B.1: Prelude & Fugue No.22 in B-flat minor, BWV 867' came out on November 27, 2011. With this song being about 5 minutes long, at 4:30, "The Well-Tempered Clavier, B.1: Prelude & Fugue No.22 in B-flat minor, BWV 867" by Christiane Jaccottet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 1-2-3 - A Bach Experience, so we believe that "The Well-Tempered Clavier, B.1: Prelude & Fugue No.22 in B-flat minor, BWV 867" is a single. Based on our statistics, The Well-Tempered Clavier, B.1: Prelude & Fugue No.22 in B-flat minor, BWV 867's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Well-Tempered Clavier, B.1: Prelude & Fugue No.22 in B-flat minor, BWV 867 by Christiane Jaccottet is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
English Suite No. 1 in A Major, BWV 806: VI. Bourrée I and II | Johann Sebastian Bach, Christiane Jaccottet | A♭ Major | 1 | 4B | 118 BPM | ||
Sonata In E Minor For Violin And Continuo: Moderato | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | E Minor | 2 | 9A | 103 BPM | ||
Sonata in B-flat Major, No. 2: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 1 | 11B | 55 BPM | ||
Sonata for 2 Oboes, Bassoon and Basso Continuo No. 5 in F, ZWV 181: 3. Allegro | Jan Dismas Zelenka, Heinz Holliger, Maurice Bourgue, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet | F Major | 3 | 7B | 131 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 107 BPM | ||
Sonata No.1 in F major: IV. Allegro assai | Jan Dismas Zelenka, Heinz Holliger, Maurice Bourgue, Klaus Thunemann, Lucio Buccarella, Christiane Jaccottet | C Major | 3 | 8B | 126 BPM | ||
Nouveau Concert No.7 in G minor: 5. Gavote (Gayement) | François Couperin, Thomas Brandis, Josef Ulsamer, Christiane Jaccottet | G Minor | 4 | 6A | 104 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 3 | 10B | 145 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Ouverture-Suite, TWV 55:a2: V. Réjouissance | Georg Philipp Telemann, Jean-Pierre Rampal, Jerusalem Music Centre Chamber Orchestra | C Major | 2 | 8B | 96 BPM |
Section: 0.7053349018096924
End: 0.7089087963104248