"Sonata in B-flat Major, No. 2: IV. Adagio" by Arcangelo Corelli, Lucy van Dael, Bob van Asperen was released on December 19, 2004. The duration of Sonata in B-flat Major, No. 2: IV. Adagio is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Sonata in B-flat Major, No. 2: IV. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 30 in Corelli: Violin Sonatas Nos. 1-6, Op. 5 by Arcangelo Corelli. Sonata in B-flat Major, No. 2: IV. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata in B-flat Major, No. 2: IV. Adagio by Arcangelo Corelli, Lucy van Dael, Bob van Asperen is Lento (slowly), since this song has a tempo of 55 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM | ||
Concerto No 5 in G minor - Presto | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 1 | 11A | 83 BPM | ||
Suite No. 1 in G Major, Z. 660: III. Corant | Henry Purcell, Richard Egarr | F Major | 2 | 7B | 145 BPM | ||
Sonata in C Major, Op. 5, No. 10 (arr. W. Babell and M. Blavet): IV. Giga: Allegro (arr. W. Babell) | William Babell, Michel Blavet, Arcangelo Corelli, Stefan Temmingh, Olga Watts | B Major | 2 | 1B | 126 BPM | ||
Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853 | Luc Beauséjour | G Minor | 2 | 6A | 89 BPM | ||
Violin Sonata in E Minor, Op. 5 No. 8: III. Sarabanda. Largo | Arcangelo Corelli, Trio Corelli | E♭ Minor | 0 | 2A | 94 BPM | ||
Mystery (Rosary) Sonata No. 13, "Pentecost": III. Gigue | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 2 | 12A | 113 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM |
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