Arcangelo Corelli, Trio Corelli's 'Violin Sonata in E Minor, Op. 5 No. 8: III. Sarabanda. Largo' came out on February 14, 2012. The duration of Violin Sonata in E Minor, Op. 5 No. 8: III. Sarabanda. Largo is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Violin Sonata in E Minor, Op. 5 No. 8: III. Sarabanda. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 55 in Corelli: 12 Violin Sonatas, Op. 5 by Arcangelo Corelli, Trio Corelli. In terms of popularity, Violin Sonata in E Minor, Op. 5 No. 8: III. Sarabanda. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata in E Minor, Op. 5 No. 8: III. Sarabanda. Largo by Arcangelo Corelli, Trio Corelli is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
Violin Sonata in D Minor, Op. 5, No. 7 (arr. for recorder and basso continuo): I. Preludio: Vivace | Anonymous, Arcangelo Corelli, Michala Petri, Mahan Esfahani | G Major | 1 | 9B | 119 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: I. Largo - Grave - Vivace - Grave | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 117 BPM | ||
Partie a 4 in fis-moll | Johann Pachelbel, London Baroque, Charles Medlam | F♯ Major | 2 | 2B | 107 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Trio Sonata in G Minor: IV. Allegro | Johann Friedrich Fasch, Danubius Ensemble | G Minor | 1 | 6A | 101 BPM | ||
Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM |
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