- BPM
- 66
- Key
- D♭ Major
- Camelot
- 3B
Rigoletto (Arr. Solo Piano by Liszt): Paraphrase - Welte-Mignon 445 - Giuseppe Verdi, Ferruccio Busoni, Peter Phillips Information
- Acousticness
- 99%
- Danceability
- 28%
- Energy
- 22%
- Instrumentalness
- 91%
- Liveness
- 13%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 0%
- Loudness
- -15.607 dB
Summary
"Rigoletto (Arr. Solo Piano by Liszt): Paraphrase - Welte-Mignon 445" by Giuseppe Verdi, Ferruccio Busoni, Peter Phillips was released on October 20, 2023. Since Rigoletto (Arr. Solo Piano by Liszt): Paraphrase - Welte-Mignon 445 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "The Art of Ferruccio Busoni. Piano Music from the Golden Age". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Rigoletto (Arr. Solo Piano by Liszt): Paraphrase - Welte-Mignon 445 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Rigoletto (Arr. Solo Piano by Liszt): Paraphrase - Welte-Mignon 445 BPM
With Rigoletto (Arr. Solo Piano by Liszt): Paraphrase - Welte-Mignon 445 by Giuseppe Verdi, Ferruccio Busoni, Peter Phillips having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Rigoletto (Arr. Solo Piano by Liszt): Paraphrase - Welte-Mignon 445 Key
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM | |
 | Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | |
 | La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | |
 | Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | |
 | Carmen (1997 - Remaster), Act I: Sur la place | Georges Bizet, Andréa Guiot/Claude Calès/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 1 | 6B | 105 BPM | |
 | Il barbiere di Siviglia: Overture | Gioachino Rossini, David Parry, London Philharmonic Orchestra | E Major | 3 | 12B | 95 BPM | |
 | Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | |
 | Carmen / Act 2: Toreador Song: "Votre toast, je peux vous le rendre" (from Carmen / Act 2) | Georges Bizet, Barry Wordsworth, Bryn Terfel, London Symphony Orchestra | B♭ Minor | 4 | 3A | 112 BPM | |
| Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | |
 | Aida: Act II: Ma tu, Re, tu signore possente | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | F Major | 4 | 7B | 146 BPM |
- ISRC
- DEPI82321504
- Label
- L-M Records/RCA Records
Section: 0.5973935127258301
End: 0.6021654605865479