"Paganini: 24 Caprices, Op. 1: No. 4 in C Minor" by Niccolò Paganini, Augustin Hadelich was released on January 12, 2018. Since Paganini: 24 Caprices, Op. 1: No. 4 in C Minor is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "Paganini: 24 Caprices, Op. 1". In this album, this song's track order is #4. In terms of popularity, Paganini: 24 Caprices, Op. 1: No. 4 in C Minor is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Paganini: 24 Caprices, Op. 1: No. 4 in C Minor by Niccolò Paganini, Augustin Hadelich having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in G Major, Hob.VIIa:4: I. Allegro moderato | Joseph Haydn, Augustin Hadelich, Cologne Chamber Orchestra, Helmut Muller-Bruhl | G Major | 1 | 9B | 142 BPM | ||
Octet in E-Flat, Op. 20: III. Scherzo | Felix Mendelssohn, James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert DeMaine, Edward Arron, Vladimir Ashkenazy | G Minor | 1 | 6A | 143 BPM | ||
Debussy: Cello Sonata in D Minor, CD 144, L. 135: III. Final. Animé, léger et nerveux | Claude Debussy, Yvan Chiffoleau, Jean Hubeau | F♯ Major | 0 | 2B | 113 BPM | ||
Violin Concerto in A Major, Op. 5, No. 2: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Takako Nishizaki, Cologne Chamber Orchestra, Helmut Muller-Bruhl | A Major | 1 | 11B | 120 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562: III. Allegro | Carl Philipp Emanuel Bach, Emmanuel Pahud | A Minor | 0 | 8A | 117 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Bassoon Concerto in E minor, RV 484: 3. Allegro | Antonio Vivaldi, Klaus Thunemann, I Musici | C Major | 2 | 8B | 87 BPM | ||
Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Augustin Hadelich, Miguel Harth-Bedoya, The Norwegian Radio Orchestra | G Major | 2 | 9B | 89 BPM | ||
Suite for Flute and Piano Op. 34 No 1: I (moderato) | Charles-Marie Widor, Emmanuel Pahud, Eric Le Sage | D♭ Major | 1 | 3B | 109 BPM |
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