Johannes Brahms, Augustin Hadelich, Miguel Harth-Bedoya, The Norwegian Radio Orchestra's 'Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace' came out on April 5, 2019. Since Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 8 in Brahms & Ligeti: Violin Concertos by Augustin Hadelich, Miguel Harth-Bedoya, The Norwegian Radio Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace by Johannes Brahms, Augustin Hadelich, Miguel Harth-Bedoya, The Norwegian Radio Orchestra is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 In D, Op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM | ||
Romeo and Juliet, Op.64 - Act 1: At The Capulets' (Preparations For the Ball) | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Major | 0 | 1B | 127 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Cello Concerto No.1, Op.107: 4. Allegro con moto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | A♭ Major | 2 | 4B | 143 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Alfonso und Estrella, D. 732: Overture, "Rosamunde" | Franz Schubert, Prague Sinfonia, Christian Benda | A Major | 2 | 11B | 134 BPM |
Section: 0.5338943004608154
End: 0.538071870803833