"Sinfonia Concertante in E-Flat Major for Violin, Viola and Orchestra, K. 364 (320d): II. Andante" by Semra Griffiths, Frank Gassman was released on May 17, 2011. Sinfonia Concertante in E-Flat Major for Violin, Viola and Orchestra, K. 364 (320d): II. Andante appears to be safe for all ages as it is not explicit. There are a total of 56 in the song's album "The Extended Music of Amadeus". In this album, this song's track order is #29. Sinfonia Concertante in E-Flat Major for Violin, Viola and Orchestra, K. 364 (320d): II. Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sinfonia Concertante in E-Flat Major for Violin, Viola and Orchestra, K. 364 (320d): II. Andante by Semra Griffiths, Frank Gassman having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Hungarian Dances: No. 1. Andante | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 105 BPM | ||
Symphony No. 3 in G Major, Hob.I:3: IV. Finale: Alla breve | Joseph Haydn, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Major | 3 | 10B | 96 BPM | ||
Duo No. 2 for Violin and Viola in D Minor: III. Rondo. Allegro | Carl Stamitz, Gabriela Demeterová | D Major | 1 | 10B | 141 BPM | ||
Les Danaïdes, Acte I Scène 1: Air de danse | Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset | F Major | 4 | 7B | 72 BPM | ||
Romance for Violin and Orchestra | Johann Peter Salomon, Midori Seiler, Concerto Köln | A Major | 1 | 11B | 121 BPM | ||
Symphony No. 1 In C, Op. 21, Andante Cantabile Con Moto (excerpt) | The Royal Festival Orchestra, William Bowles | B♭ Major | 1 | 6B | 118 BPM | ||
Sonatina in D Major, Wq. 96 H. 449: II. Allegro | Carl Philipp Emanuel Bach, Orazio Sciortino, Orchestra di Padova e del Veneto | E Minor | 0 | 9A | 139 BPM | ||
Symphony in C Major, Bryan C11 "Il comista": I. Allegro con brio | Jan Krtitel Vanhal, Munich Philharmonic Chamber Orchestra, Michael Helmrath | F Major | 0 | 7B | 70 BPM | ||
Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
Hummel: Trumpet Concerto in E-Flat Major, WoO 1: I. Allegro con spirito | Johann Nepomuk Hummel, Lucienne Renaudin Vary, Michael Sanderling, Luzerner Sinfonieorchester | D Major | 2 | 10B | 160 BPM |
Section: 0.6663990020751953
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