Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset's 'Les Danaïdes, Acte I Scène 1: Air de danse' came out on June 29, 2015. With Les Danaïdes, Acte I Scène 1: Air de danse being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 53 in the song's album "Salieri: Les Danaïdes". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Spain. Les Danaïdes, Acte I Scène 1: Air de danse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Danaïdes, Acte I Scène 1: Air de danse by Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Pouvoir de l'Amour, Première entrée Scène 1: Ritournelle | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Major | 2 | 7B | 90 BPM | ||
12 Contredanses, WoO 14: No. 10 in C Major | Ludwig van Beethoven, Helmut Koch, Kammerorchester Berlin | E♭ Major | 2 | 5B | 116 BPM | ||
Tarare, Prologue, Scène 1: Ouverture « C'est assez troubler l'univers » (La Nature et les Vents déchaînés) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Judith van Wanroij, Les Chantres du Centre de Musique Baroque de Versailles | G Major | 0 | 9B | 169 BPM | ||
Symphony in D Major, G. 500: IV. Presto | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | D Major | 3 | 10B | 91 BPM | ||
Symphony in G Major, Op. 3, No. 6, W. C6: I. Allegro assai | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | D Major | 1 | 10B | 134 BPM | ||
Zaïde, reine de Grenade: Ouverture | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 118 BPM | ||
Symphony No. 49 in F Major: III. Presto ma non troppo | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 80 BPM | ||
Symphony No. 31 in D Major, K. 297/300a "Paris": II. Andante (first edition) | Wolfgang Amadeus Mozart, Akademie für Alte Musik Berlin, Bernhard Forck | D Major | 0 | 10B | 65 BPM | ||
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
5 German Dances with 7 Trios and Coda, D. 89: No. 2, German Dance in G Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM |
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