Georges Bizet, Katia Labèque, Marielle Labèque made "Jeux d'enfants, Op. 22 WD 56: 6. Trompette et tamboer" available on June 10, 1987. The duration of Jeux d'enfants, Op. 22 WD 56: 6. Trompette et tamboer is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Jeux d'enfants, Op. 22 WD 56: 6. Trompette et tamboer's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 23 in Bizet: Jeux d'enfants / Fauré: Dolly Suite / Ravel: Ma Mère l'oye by Katia Labèque, Marielle Labèque. Based on our statistics, Jeux d'enfants, Op. 22 WD 56: 6. Trompette et tamboer's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Jeux d'enfants, Op. 22 WD 56: 6. Trompette et tamboer by Georges Bizet, Katia Labèque, Marielle Labèque is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: Tu rex gloriae, Christe | Georges Bizet, Katarina Jovanovic, Philippe Do, Pas-de-Calais North Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus | F Major | 1 | 7B | 81 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Petrushka: Danse Russe | Igor Stravinsky, Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A Minor | 3 | 8A | 121 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM |
Section: 0.7881259918212891
End: 0.7937479019165039