Franco Corelli, Ruggero Leoncavallo, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile's 'Pagliacci, Act Ii: No, Pagliaccio Non Son' came out on March 3, 1956. The duration of Pagliacci, Act Ii: No, Pagliaccio Non Son is about 3 minutes long, at 3:11. Based on our data, "Pagliacci, Act Ii: No, Pagliaccio Non Son" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Franco Corelli's "L'incredibile Franco Corelli" album is number 9 out of 38. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pagliacci, Act Ii: No, Pagliaccio Non Son is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci, Act Ii: No, Pagliaccio Non Son by Franco Corelli, Ruggero Leoncavallo, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen: Act I: La cloche a sonné (Chorus of Cigarette Girls) | Georges Bizet, Leontyne Price, Franco Corelli, Robert Merrill, Mirella Freni, Monique Linval, Geneviève Macaux, Jean Christophe Benoit, Maurice Besancon, Frank Schooten, Bernard Demigny, Herbert von Karajan | E Major | 0 | 12B | 68 BPM | ||
Les Contes d'Hoffmann / Prologue: Allons, allons mes enfants! Préparez cette salle | Jacques Offenbach, Pedro Di Proenza, Paul Guigue, Roland Jacques, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, L'Orchestre de la Suisse Romande, Richard Bonynge | C Major | 3 | 8B | 136 BPM | ||
Voce 'E Notte! | Franco Corelli | G Minor | 3 | 6A | 94 BPM | ||
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Pecchè?: Pecche? | Gaetano Errico Pennino, Franco Corelli, Alberto Bonocore | A♭ Major | 2 | 4B | 97 BPM | ||
Mefistofele / Act 2: "Dai campi, dai prati" | Arrigo Boito, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F Major | 3 | 7B | 82 BPM | ||
Norma, Act II: Mira, O Norma (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | B♭ Major | 4 | 6B | 121 BPM |
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