"Evening Service No. 5 "In medio chori": II. Nunc dimittis" by Thomas Weelkes, The Choir of St George's Chapel, Windsor Castle, Roger Judd, Jonathan Rees-Williams had its release date on October 10, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Choir of St George's Chapel, Windsor Castle, Roger Judd, Jonathan Rees-Williams's "Magnificat & Nunc dimittis, Vol. 21" album is number 4 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Evening Service No. 5 "In medio chori": II. Nunc dimittis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Evening Service No. 5 "In medio chori": II. Nunc dimittis by Thomas Weelkes, The Choir of St George's Chapel, Windsor Castle, Roger Judd, Jonathan Rees-Williams to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Lord, Grant the King a Long Life | Thomas Weelkes, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha | E♭ Major | 1 | 5B | 85 BPM | ||
Io Mi Son Giovinetta | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | D Major | 2 | 10B | 84 BPM | ||
Quatre petites prières de Saint François d’ Assise: IV. O mes très chers frères | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM |