"Cantiones sacrae sex vocum: I. Nectar et ambrosiam" by Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent was released on October 28, 2008. The duration of Cantiones sacrae sex vocum: I. Nectar et ambrosiam is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Cantiones sacrae sex vocum: I. Nectar et ambrosiam's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent's "Lassus: Cantiones sacrae sex vocum" album is number 1 out of 14. On top of that, France appears to be the country where this track was created. Based on our statistics, Cantiones sacrae sex vocum: I. Nectar et ambrosiam's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cantiones sacrae sex vocum: I. Nectar et ambrosiam by Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
La Rose Complete | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 125 BPM | ||
Jehova, quam multi sunt hostes mei, Z. 135 | Henry Purcell, Francis Williams, Thomas Lynch, Westminster Kantorei, Daniel Boring, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 89 BPM | ||
O Jesu Christe | Jakob van Berchem, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | E♭ Major | 2 | 5B | 84 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XIV. Praise the Lord from the Heavens | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
Viderunt omnes... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 141 BPM | ||
Salvum fac populum tuum, WAB 40 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 81 BPM | ||
Messa Delli Apostoli: Kyrye III | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM |
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