Pietro Locatelli, London Baroque made "Trio Sonata in D Major, Op. 8 No. 8: V. Allegro molto" available on March 26, 2013. With Trio Sonata in D Major, Op. 8 No. 8: V. Allegro molto being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "The trio sonata in 18th century italy". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Trio Sonata in D Major, Op. 8 No. 8: V. Allegro molto is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Trio Sonata in D Major, Op. 8 No. 8: V. Allegro molto by Pietro Locatelli, London Baroque having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 3 in D Minor, Op. 2, No. 6: VII. Aria: Vivace | Carolus Hacquart, London Baroque | G Major | 1 | 9B | 84 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Sonata a 3 in D Minor, Op. 2, No. 6: IV. Adagio | Carolus Hacquart, London Baroque | D♭ Minor | 2 | 12A | 64 BPM | ||
Trio Sonata No. 2 in G Minor: IV. Menuets I & II | Giovanni Bononcini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Musicalische Ergötzung: Partie IV in e-moll | Johann Pachelbel, Charles Medlam, London Baroque | E♭ Minor | 2 | 2A | 89 BPM | ||
Trio Sonata in D Minor, Op. 1, No. 8, RV 64: II. Corrente (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM | ||
Les nations, Troisième ordre "L'impériale": I. Sonade. Gravement - Vivement et marquée | François Couperin, London Baroque | D♭ Major | 3 | 3B | 118 BPM | ||
Trio Sonata in D Major, Op. 5, No. 2, HWV 397: II. Allegro | George Frideric Handel, London Baroque | D♭ Major | 3 | 3B | 126 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: III. Largo | George Frideric Handel, London Baroque | A Major | 0 | 11B | 77 BPM |
Section: 0.5111639499664307
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