"Fauré: Pavane, Op. 50" by Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields was released on 1998. Fauré: Pavane, Op. 50 is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The song is number 13 out of 19 in Fauré: Requiem, etc. by Gabriel Fauré, Choir of King's College, Cambridge, Stephen Cleobury, English Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Fauré: Pavane, Op. 50 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Pavane, Op. 50 by Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Ständchen, D. 889 | Franz Schubert, Tanguy de Williencourt, Bruno Philippe | D Major | 0 | 10B | 76 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
Henry V, A Shakespeare Scenario: IV. Interlude. Touch her Soft Lips and Part | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus | C Major | 0 | 8B | 92 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Joshua Bell | G Minor | 2 | 6A | 59 BPM | ||
Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM |
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