"Act I: Ah, qual soave vision ... Bianca al par di neve" by Giacomo Meyerbeer, Enrico Caruso was released on 1990. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Act I: Ah, qual soave vision ... Bianca al par di neve is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act I: Ah, qual soave vision ... Bianca al par di neve by Giacomo Meyerbeer, Enrico Caruso is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La fiancée, S. 17: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Minor | 0 | 8A | 120 BPM | ||
Les Huguenots: VIII. Act II, Strette - O transport! - Live | Giacomo Meyerbeer, American Symphony Orchestra, Erin Morley, Marie Lenormand, Alexandra Deshorties, Michael Spyres, Andrew Schroeder, Peter Volpe, Leon Botstein | G Major | 2 | 9B | 89 BPM | ||
La Damnation de Faust, Op. 24 / Part 2: Ballet des Sylphes | Hector Berlioz, Daniel Barenboim, Orchestre de Paris | D Major | 0 | 10B | 136 BPM | ||
Masques et Bergamasques, suite, Op.112: 2. Menuet | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 146 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.7 Notturno | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | E Major | 0 | 12B | 67 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 4. Andante | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 1 | 10B | 91 BPM | ||
Variazzioni di clarinetto in C Major | Gioachino Rossini, Prague Philharmonia, Jiří Bělohlávek, Ludmila Peterková | C Major | 1 | 8B | 128 BPM | ||
La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 76 BPM | ||
Symphony No. 83 in G Minor, Hob.I:83, "La poule" (The Hen): I. Allegro spiritoso | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | B♭ Major | 1 | 6B | 156 BPM | ||
Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM |
Section: 0.9518425464630127
End: 0.9563982486724854