"Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam" by Gustav Mahler, Leonard Bernstein, New York Philharmonic was released on 1960. Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Leonard Bernstein, New York Philharmonic's "Leonard Bernstein: The Complete Mahler Symphonies" album is number 4 out of 45. On top of that, United States appears to be the country where this track was created. Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam by Gustav Mahler, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM | ||
Symphony No. 2 in D Major, Op. 43: IV. Finale. Allegro moderato | Jean Sibelius, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 86 BPM | ||
Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Minor | 4 | 3A | 109 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Water Music Suite No. 1 (Excerpts): 3. (Allegro) - Andante - (Allegro) da capo | George Frideric Handel, New York Philharmonic, Pierre Boulez | F Major | 2 | 7B | 122 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Roman Festivals: IV. La Befana | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | G Major | 0 | 9B | 127 BPM |
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