"Finalszene (Salome)" by Maria Cebotari, Berliner Rundfunk-Sinfonie-Orchester was released on August 7, 2006. Finalszene (Salome) appears to be safe for all ages as it is not explicit. There are a total of 18 in the song's album "The Art of Maria Cebotari". In this album, this song's track order is #17. Finalszene (Salome) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Finalszene (Salome) by Maria Cebotari, Berliner Rundfunk-Sinfonie-Orchester having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore, Act I: Chiedi all'aura | Gaetano Donizetti, Cecilia Bartoli, Luciano Pavarotti, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | E Major | 3 | 12B | 130 BPM | ||
Lehár: Das Land des Lächelns, Act 2: "Ich möcht' einmal die Heimat seh'n" (Lisa) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Carmen, WD 31 (Excerpts Sung in German): Ich sprach, dass ich furchtlos mich fühle [Bonus Track] [2] | Georges Bizet, Maria Cebotari, Orchester der Deutschen Oper Berlin, Gerhard Steeger | E♭ Major | 1 | 5B | 109 BPM | ||
Lucia di Lammermoor, Act I: Cruda, funesta smania | Gaetano Donizetti, Stefano Antonucci, Didier Pieri, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
The Bartered Bride: ACT I, Scene 3. Kecal Jak vám pravím | Bedřich Smetana, Jozef Benci, Jiří Bělohlávek, BBC Symphony Orchestra | D Major | 2 | 10B | 84 BPM | ||
Messa di Gloria: XVIII. Agnus Dei | Giacomo Puccini, Charles Castronovo, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | C Major | 1 | 8B | 140 BPM | ||
The Marriage of Figaro, K.492, Act IV: "Endlich naht sich die Stunde" | Maria Cebotari | F Major | 0 | 7B | 164 BPM | ||
Les Pêcheurs de perles: O Dieu Brahma! (Leïla, Fishermen, Villagers, Nadir, Sorceresses) | Georges Bizet, Janine Micheau, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | F Major | 0 | 7B | 65 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Gloire! gloire à Jupiter (Pluton/Les dieux/L'Opinion Publique/Jupiter/Orphee/Mercure/Cupidon/Diane/Venus) | Jacques Offenbach, Laurent Naouri/Jean-Paul Fouchécourt/Yann Beuron/Eva Podles/Patricia Petibon/Jennifer Smith/Véronique Gens/Etienne Lescroart/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Min, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A♭ Major | 1 | 4B | 93 BPM | ||
Messe pour le sacre de Napoléon: III. Gloria, Laudamus te | Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | D Major | 2 | 10B | 76 BPM |
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