"The Marriage of Figaro, K.492, Act IV: "Endlich naht sich die Stunde"" by Maria Cebotari was released on January 1, 2000. With this song being about 5 minutes long, at 5:03, "The Marriage of Figaro, K.492, Act IV: "Endlich naht sich die Stunde"" by Maria Cebotari is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Maria Cebotari's "In Opera" album is number 1 out of 10. The popularity of The Marriage of Figaro, K.492, Act IV: "Endlich naht sich die Stunde" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Marriage of Figaro, K.492, Act IV: "Endlich naht sich die Stunde" by Maria Cebotari to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Komm heraus, verworfner Knabe (Figaros Hochzeit) | Margarete Teschemacher, Carl Wessely, Hubert Buchta, Elisabeth Waldenau, Hannerle Franck, Angela Kolniak, Kurt Böhme, Hans-Herbert Fiedler, Paul Schöffler, Mathieu Ahlersmeyer, Maria Cebotari, Chor Und Orchester Des Reichssenders Stuttgart | B♭ Major | 3 | 6B | 94 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 1: "Verehrteste Damen und Herren" | Franz Lehár, Donald Grobe, Zoltan Kelemen, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Che fia?... Suonar di giubilo" (Lucia, Enrico) | Gaetano Donizetti, Maria Callas, Orchestra del Maggio Musicale Fiorentino, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Die hochzeit des Figaro, K.492, IWM 348, Act I: "Sollt' einstens die Gräfin" (Figaro, Susanna) | Wolfgang Amadeus Mozart, Orchester des Stuttgarter Rundfunks, Karl Böhm, Paul Schöffler, Maria Cebotari | A Major | 3 | 11B | 91 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 1: "Ô toi qui prolongeas mes jours" (Iphigénie) | Christoph Willibald Gluck, Georges Prêtre, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | B♭ Major | 2 | 6B | 95 BPM | ||
Bleibe und hör mich! (Luise Miller) | Trude Eipperle, Kurt Böhme, Josef Herrmann, Chor der Staatsoper Dresden, Georg Hann, Helena Rott, Staatskapelle Dresden, Maria Cebotari, Hans Hopf | D♭ Major | 3 | 3B | 144 BPM | ||
Tosca: Tosca: Nur der Schonheit (Vissi d'arte) (Tosca) | Giacomo Puccini, Maria Cebotari, Berlin Deutsche Opera Orchestra, Gerhard Steeger | B♭ Major | 1 | 6B | 121 BPM | ||
La Traviata: Ich Sah Euch Lieblich Und Engelsschön | Maria Cebotari | G Minor | 3 | 6A | 76 BPM | ||
Donizetti: Roberto Devereux, Act 1: "Romanza - all'afflitto e dolce il pianto" (Sara) [Live] | Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 90 BPM |
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