"L'Orfeo - Act 5: Ritornello-Questi i campi di Tracia" by Claudio Monteverdi, John Mark Ainsley, New London Consort, Philip Pickett was released on January 1, 1992. With this song being about 5 minutes long, at 4:54, "L'Orfeo - Act 5: Ritornello-Questi i campi di Tracia" by Claudio Monteverdi, John Mark Ainsley, New London Consort, Philip Pickett is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Claudio Monteverdi, John Mark Ainsley, Catherine Bott, New London Consort, Philip Pickett's "Monteverdi: L'Orfeo" album is number 16 out of 36. L'Orfeo - Act 5: Ritornello-Questi i campi di Tracia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Orfeo - Act 5: Ritornello-Questi i campi di Tracia by Claudio Monteverdi, John Mark Ainsley, New London Consort, Philip Pickett to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 3: "Your counsel all is urged in vain...But death, alas" | Henry Purcell, Jessye Norman, Marie McLaughlin, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 86 BPM | ||
Don Giovanni, K. 527 / Act 2: "Vedrai, carino" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 141 BPM | ||
The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You) | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 96 BPM | ||
Falstaff / Act 1: L'Onore! Ladri! | Giuseppe Verdi, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 2 | 8B | 167 BPM | ||
Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia) | Marie-Nicole Lemieux, Philippe Jaroussky, Ensemble Artaserse | D Minor | 2 | 7A | 119 BPM | ||
German Requiem, Op. 45: Ihr habt nun Traurigkeit | Johannes Brahms, London Symphony Orchestra, Sally Matthews, Valery Gergiev, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Rossini: Petite messe solennelle: II. Gloria, 7. Cum Sancto Spiritu (Chorus). Allegro | Gioachino Rossini, Antonio Pappano | G Minor | 0 | 6A | 112 BPM | ||
Altri Canti D’Amor - Tu Cui Tessuta Han Die Cesare Alloro | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | D Major | 1 | 10B | 172 BPM | ||
Quel augellin che canta | Claudio Monteverdi, Emma Kirkby, Joseph Cornwell, Anthony Rooley, Simon Grant, Andrew King, Evelyn Tubb | G Minor | 0 | 6A | 108 BPM | ||
Requiem, Op. 9: V. Pie Jesu (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Patricia Bardon | A♭ Major | 0 | 4B | 79 BPM |
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