Jean-Féry Rebel, Musica Antiqua Köln, Reinhard Goebel made "Les Élémens, Simphonie Nouvelle: Caprice" available on January 1, 1995. The duration of Les Élémens, Simphonie Nouvelle: Caprice is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Les Élémens, Simphonie Nouvelle: Caprice's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Rebel: Les Élémens / Telemann: Sonata e-Moll / Gluck: Alessandro". In this album, this song's track order is #9. Based on our statistics, Les Élémens, Simphonie Nouvelle: Caprice's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Les Élémens, Simphonie Nouvelle: Caprice by Jean-Féry Rebel, Musica Antiqua Köln, Reinhard Goebel having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso | Arion Ensemble | A♭ Major | 0 | 4B | 116 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Trio Sonata No. 1 in G Major: I. Moderato | Domenico Gallo, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM | ||
Il Giardino d'Amore: Sinfonia | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 2 | 5A | 135 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | ||
Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM |
Section: 0.5955536365509033
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