Silvius Leopold Weiss, Lutz Kirchhof made "Suite in A Major (L'Esprit italien): II. Allemande" available on 1992. The duration of Suite in A Major (L'Esprit italien): II. Allemande is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Suite in A Major (L'Esprit italien): II. Allemande's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weiss: Lute Works, Vols. I & II by Silvius Leopold Weiss, Lutz Kirchhof. The song's track number on the album is #2 out of 47 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Suite in A Major (L'Esprit italien): II. Allemande is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Suite in A Major (L'Esprit italien): II. Allemande by Silvius Leopold Weiss, Lutz Kirchhof has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Suite in A Major (L'Esprit italien): II. Allemande being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pour le piano, L. 95: II. Sarabande (Transcr. Y. Kondonassis) | Claude Debussy, Yolanda Kondonassis | E♭ Major | 0 | 5B | 107 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Guitar Sonata No. 6 in F Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM | ||
Sonata for Lute No. 8 in A Major: V. Ciacona | Silvius Leopold Weiss, Lee Santana | A♭ Major | 1 | 4B | 144 BPM | ||
Keyboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia) | Andrés Segovia, George Frideric Handel | D Minor | 1 | 7A | 87 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
The Four Seasons, Violin Concerto No. 4 - Arr. for Guitar by Peter Batchelar and Richard Wright | Antonio Vivaldi, Miloš Karadaglić | E Minor | 1 | 9A | 122 BPM | ||
Distressed Innocence, Z. 577: Air II | Henry Purcell, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 125 BPM | ||
Spanish Pavan | Thomas Robinson, Joachim Held | F♯ Minor | 1 | 11A | 96 BPM | ||
Calata | Jupiter, Thomas Dunford | A Major | 3 | 11B | 96 BPM |
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