What is the BPM for Beau soir, L. 6 by Claude Debussy, Gérard Souzay, Dalton Baldwin?

The tempo for Beau soir, L. 6 is 77 beats per a minute with a half-time of 38 BPM and a double-time of 154 BPM.

What is the music key for Beau soir, L. 6 by Claude Debussy, Gérard Souzay, Dalton Baldwin?

The music key for Beau soir, L. 6 is F♯ Minor or a camelot key of 11A.

Beau soir, L. 6 - Claude Debussy, Gérard Souzay, Dalton Baldwin Information

Acousticness: 98%
Danceability: 11%
Energy: 1%
Instrumentalness: 43%
Liveness: 7%
Loudness: 43%
Speechiness: 5%
Valence: 4%
Popularity: 10%
Loudness: -34.456 dB

Summary

"Beau soir, L. 6" by Claude Debussy, Gérard Souzay, Dalton Baldwin was released on January 1, 2002. The duration of Beau soir, L. 6 is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Beau soir, L. 6's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 22 in Debussy: Mélodies by Claude Debussy, Gérard Souzay, Dalton Baldwin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Beau soir, L. 6 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Beau soir, L. 6 BPM

The tempo marking of Beau soir, L. 6 by Claude Debussy, Gérard Souzay, Dalton Baldwin is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Beau soir, L. 6 Key

F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)	Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason	A Major	1	11B	89 BPM
Suite bergamasque, L. 75 (Arr. for Cello and Piano by Olivier Hébert-Bouchard): III. Clair de lune	Claude Debussy, Olivier Hébert-Bouchard, Stéphane Tétreault	D♭ Major	0	3B	79 BPM
6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio	Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs	C Minor	0	5A	81 BPM
Lieder ohne Worte, Op. 30/6: Allegretto tranquillo "Venetianisches Gondellied"	Felix Mendelssohn, Javier Perianes	F♯ Minor	0	11A	131 BPM
Carnaval, Op. 9: No. 12. Chopin	Robert Schumann, Boris Giltburg	C Major	1	8B	77 BPM
Concerto en ré mineur, BWV 974: II. Adagio	Johann Sebastian Bach, Alexandre Tharaud	D Minor	2	7A	85 BPM
Naive Music: No. 2. Nocturne	Valentin Silvestrov, Elisaveta Blumina	B♭ Major	0	6B	68 BPM
Schumann: Kinderszenen, Op. 15: No. 7, Träumerei	Robert Schumann, Cyprien Katsaris	D♭ Major	0	3B	94 BPM
Waltz No. 19 in A minor, Op. posth.	Frédéric Chopin, Peter Jablonski	A Minor	0	8A	69 BPM
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor	Sergei Rachmaninoff, Nikolai Lugansky	G Minor	1	6A	113 BPM

ISRC: DEF056101590
Label: L-M Records/RCA Records

Section: 0.8430304527282715

End: 0.847463846206665