"Suite bergamasque, L. 75 (Arr. for Cello and Piano by Olivier Hébert-Bouchard): III. Clair de lune" by Claude Debussy, Olivier Hébert-Bouchard, Stéphane Tétreault was released on March 17, 2023. Suite bergamasque, L. 75 (Arr. for Cello and Piano by Olivier Hébert-Bouchard): III. Clair de lune is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The song is number 17 out of 17 in Claude Debussy: Images oubliées by Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Suite bergamasque, L. 75 (Arr. for Cello and Piano by Olivier Hébert-Bouchard): III. Clair de lune is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite bergamasque, L. 75 (Arr. for Cello and Piano by Olivier Hébert-Bouchard): III. Clair de lune by Claude Debussy, Olivier Hébert-Bouchard, Stéphane Tétreault is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance in F Major, Op. 36, R. 195 (Version for Cello & Orchestra) | Camille Saint-Saëns, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Alexandre Bloch | F Major | 0 | 7B | 78 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): IV. Polo | Manuel de Falla, Duo Arnicans | A Minor | 2 | 8A | 115 BPM | ||
Two Pieces for violin, viola and piano: I. Un poco andante | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Onyx Klavierduo | C Major | 0 | 8B | 105 BPM | ||
Viola Sonata No. 1 in C Minor, Op. 18: II. Poco lento e cantabile | York Bowen, Timothy Ridout, Frank Dupree | A Major | 0 | 11B | 88 BPM | ||
The Road to Casterbridge | Luke Faulkner, Özgür Kaya | A Minor | 0 | 8A | 115 BPM | ||
Années de pèlerinage II, S. 161: No. 4. Sonetto 47 del Petrarca | Franz Liszt, Nelson Goerner | D♭ Major | 1 | 3B | 120 BPM | ||
Symphony No. 2 in C minor, Op. 29: I. Andante | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | A♭ Major | 1 | 4B | 80 BPM | ||
Septet in E-Flat Major, Op. 65: I. Préambule. Allegro moderato – Più allegro | Camille Saint-Saëns, Nash Ensemble | F Minor | 0 | 4A | 96 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14: II. Andante | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | E Major | 0 | 12B | 86 BPM |
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