Wiener Philharmoniker, Clemens Krauss made "Josef Strauss: Moulinet OP. 57" available on May 1, 2009. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wiener Philharmoniker Live: 1941 - 1. Neujahrskonzert der Wiener Philharmoniker by Wiener Philharmoniker. The song's track number on the album is #2 out of 12 tracks. Based on our data, Austria was the country where this track was produced or recorded. Josef Strauss: Moulinet OP. 57 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Josef Strauss: Moulinet OP. 57 by Wiener Philharmoniker, Clemens Krauss has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Josef Strauss: Moulinet OP. 57 being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
The music key of this track is A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg - Act 1: Prelude & Hymn | Richard Wagner, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | C Major | 3 | 8B | 88 BPM | ||
Schützen Quadrille | Johann Strauss II, Josef Strauss, Eduard Strauss, Zubin Mehta, Wiener Philharmoniker | B♭ Major | 4 | 6B | 106 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Vielliebchen, Polka française, Op. 1 | Joseph Hellmesberger, Jr., Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 2 | 5B | 83 BPM | ||
Ballszene | Joseph Hellmesberger, Mariss Jansons, Wiener Philharmoniker | E Major | 2 | 12B | 119 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM |
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