"Cantiones sacrae sex vocum: II. Prolongati sunt dies mei" by Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent was released on October 28, 2008. Since Cantiones sacrae sex vocum: II. Prolongati sunt dies mei is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent's "Lassus: Cantiones sacrae sex vocum" album is number 2 out of 14. On top of that, France appears to be the country where this track was created. Based on our statistics, Cantiones sacrae sex vocum: II. Prolongati sunt dies mei's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cantiones sacrae sex vocum: II. Prolongati sunt dies mei by Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Clemens: Ego flos campi | Jacob Clemens non Papa, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 82 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Miserere à quatre voix | Antonio Lotti, Ensemble vocal da Camera, Daniel Meier, Hélène Delage | C Major | 1 | 8B | 100 BPM | ||
O Jesu Christe | Jakob van Berchem, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | E♭ Major | 2 | 5B | 84 BPM | ||
Locus Iste, WAB 23: Locus iste, WAB 23 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 75 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Requiem aeternam (1) | Herbert Howells, Choir of St. John's College, Cambridge, Christopher Robinson | E Minor | 0 | 9A | 78 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM |
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