"Serse, HWV 40, Act I: Ombra mai fù, "Largo"" by George Frideric Handel, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda was released on September 30, 1998. The duration of Serse, HWV 40, Act I: Ombra mai fù, "Largo" is about 3 minutes long, at 3:04. Based on our data, "Serse, HWV 40, Act I: Ombra mai fù, "Largo"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Yoshikazu Mera, Shigeo Genda, Japan Philharmonic Orchestra's "Mendelssohn / Handel / Bach, J.S. / Strauss, R.: Songs for Counter-Tenor and Orchestra" album is number 3 out of 13. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Serse, HWV 40, Act I: Ombra mai fù, "Largo"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse, HWV 40, Act I: Ombra mai fù, "Largo" by George Frideric Handel, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda to be Allegro (fast, quick, and bright) because the track has a tempo of 153 BPM, a half-time of 76BPM, and a double-time of 306 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
Canon In D Major | Johann Pachelbel, Robert Haydon Clark, Consort of London | D Major | 1 | 10B | 85 BPM | ||
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM | ||
Judex - Mors et Vita | Charles Gounod, Royal Liverpool Philharmonic Orchestra, Libor Pešek | F♯ Major | 1 | 2B | 85 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
愛しさの糧 | Yoshikazu Mera | F Major | 2 | 7B | 118 BPM | ||
Elevazione for Solo Oboe, Solo Cello, Strings and Organ (arr. V. Hunt) | Domenico Zipoli, Gordon Hunt, Norrköping Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM |
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