Max Lorenz, Orchester Der Staatsoper Berlin's 'Winterstürme wichen dem Wonnemond (Die Walküre)' came out on August 22, 2006. The duration of Winterstürme wichen dem Wonnemond (Die Walküre) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Winterstürme wichen dem Wonnemond (Die Walküre)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 3 out of 33. Winterstürme wichen dem Wonnemond (Die Walküre) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Winterstürme wichen dem Wonnemond (Die Walküre) by Max Lorenz, Orchester Der Staatsoper Berlin to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhäuser: Heilige Elisabeth, bitte für mich! | Richard Wagner, Berliner Rundfunk Orchester, Chor des deutschen Opernhauses Berlin, Artur Rother, Max Lorenz, Chorus | B Major | 2 | 1B | 87 BPM | ||
Die Walküre, WWV 86B (Excerpts): Du bist der Lenz, nach dem ich verlangte | Richard Wagner, Max Lorenz, Maria Reining, Deutsches Symphonie-Orchester Berlin, Arthur Rother | E Major | 2 | 12B | 175 BPM | ||
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Introduzione | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | G Major | 1 | 9B | 79 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Symphony No.1 in C Minor, Op.68: Un poco Allegretto | Hamburg Symphony Orchestra | C Major | 2 | 8B | 91 BPM | ||
Gotterdammerung (Twilight of the Gods): Prologue: Die Nacht weight (3 Norns) | Richard Wagner, Max Lorenz, Joseph Hermann, Ludwig Weber, Alois Pernerstorfer, Kirsten Flagstad, Hilde Konetzni, Elisabeth Höngen, Margret Weth-Falke, Margareta Kenney, Magda Gabory, Sieglinde Wagner, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler | C Minor | 1 | 5A | 86 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Die Walküre, WWV 86B (Excerpts): Was gleißt dort hell im Glimmerschein? | Richard Wagner, Max Lorenz, Deutsches Symphonie-Orchester Berlin, Arthur Rother | B♭ Major | 3 | 6B | 150 BPM | ||
Suomalainen sarja (Finnish Suite) in D Minor, Op. 10: III. Scherzo | Ernst Mielck, Ylioppilaskunnan Soittajat, Mikk Murdvee | D Major | 1 | 10B | 131 BPM | ||
Raymonda, Act III: Grand Pas de Deux, Entree | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 3 | 10B | 84 BPM |
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