"Campra: De profundis (Psalm 130), grand motet: No. 8, Ch?ur "Requiem" (Chorus)" by André Campra, Jaël Azzaretti, William Christie was released on 2003. With this song being about 5 minutes long, at 5:26, "Campra: De profundis (Psalm 130), grand motet: No. 8, Ch?ur "Requiem" (Chorus)" by André Campra, Jaël Azzaretti, William Christie is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 27 in Campra: Grand Motets by André Campra, William Christie, Les Arts Florissants. In terms of popularity, Campra: De profundis (Psalm 130), grand motet: No. 8, Ch?ur "Requiem" (Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Campra: De profundis (Psalm 130), grand motet: No. 8, Ch?ur "Requiem" (Chorus) by André Campra, Jaël Azzaretti, William Christie is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Tancrède, Acte I Scène 4: Les guerriers, Isménor, Argant (Chœur et récit) | André Campra, Orchestre les Temps Présents, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Eric Martin-Bonnet, Alain Buet | C Major | 1 | 8B | 128 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: III. Laetabimur in salutari tuo | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Motetto per ogni Tempo: IV. Aria. Amen | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Messe de Requiem / Graduel: IIIa. Requiem aeternam | André Campra, Rolf Ehlers, ensemble3 vocal et instrumental, Hans Michael Beuerle | E Major | 1 | 12B | 74 BPM | ||
Te deum, LWV 55: IV. Patrem immensae majestatis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Armide, LWV 71, Prologue: Ouverture (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | B♭ Major | 2 | 6B | 120 BPM | ||
Te Deum, S.32: II. Te æternum Patrem | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre | C Major | 3 | 8B | 176 BPM |
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