Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz made "Part I. Overture in E minor: V. Passepied" available on October 21, 2010. The duration of Part I. Overture in E minor: V. Passepied is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Part I. Overture in E minor: V. Passepied's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #5. In terms of popularity, Part I. Overture in E minor: V. Passepied is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Part I. Overture in E minor: V. Passepied by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 3 Harpsichords, Strings, And Continuo No.2 In C, BWV 1064: 2. Adagio | Johann Sebastian Bach, Kenneth Gilbert, Lars Ulrik Mortensen, The English Concert, Trevor Pinnock | A♭ Minor | 1 | 1A | 72 BPM | ||
Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM | ||
Concerto in F Major, S. 235: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 125 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 90 BPM | ||
Sonata No. 1 in D Major, Op. 5: III. Allegro | Arcangelo Corelli, Rémy Baudet, Jaap Ter Linden, Mike Fentross, Pieter-Jan Belder | D Minor | 2 | 7A | 79 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Concerto grosso in E Minor, Op. 3/4, RV. 550: II. Allegro assai | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, The English Concert, Trevor Pinnock | B Minor | 4 | 10A | 119 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Sonata a 5 in D Major: IV. (Allegro) | Giuseppe Torelli, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 2 | 3B | 105 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 107 BPM |
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