Miliza Korjus, Berliner Rundfunk Orchester's 'Der Hölle Rache (Die Zauberflöte)' had a release date set for August 8, 2006. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Miliza Korjus's "Lebendige Vergangenheit - Milza Korjus" album is number 1 out of 16. Based on our statistics, Der Hölle Rache (Die Zauberflöte)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Der Hölle Rache (Die Zauberflöte) by Miliza Korjus, Berliner Rundfunk Orchester to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Feel Pretty (Westside Story) | Mantovani Orchestra | E Major | 0 | 12B | 93 BPM | ||
Wein, Weib und Gesang | Miliza Korjus, RCA Victor Orchestra | B♭ Major | 2 | 6B | 96 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
Parla! | Miliza Korjus, Orchester Der Staatsoper Berlin | D Major | 2 | 10B | 101 BPM | ||
Songs My Mother Taught Me (From Gypsy Melodies, Op. 55, B. 104) | Sumi Jo, Prague Philharmonia, Ondrej Lenard | D Major | 3 | 10B | 111 BPM | ||
Solveig's song | Edvard Grieg, Anna Netrebko | A Minor | 1 | 8A | 173 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Danses Polovtiennes | Les Chœurs De L'armée Rouge | A Major | 2 | 11B | 44 BPM | ||
R. Strauss: Ariadne auf Naxos: Kindskopf! Merkt auf, wir spielen mit im dem stuck "Ariadne auf Naxos" - Prologue | Richard Strauss, Viorica Ursuleac, Helge Rosvaenge, Erna Berger, Miliza Korjus, Gertrude Runger, Ilonka Holndonner, Karl Hammes, Benno Arnold, Eugen Fuchs, Erich Zimmermann, Reichssenders Orchestra, Clemens Krauss | E♭ Major | 1 | 5B | 117 BPM | ||
Mystery of Love | Paolo MIllon, Neon Lilith, Tiziana La Rinnati, Metasymphony | F Major | 4 | 7B | 111 BPM |