Thomas Morley, Alfred Deller, Deller Consort made "The First Booke of Balletts to Five Voyces, xix (1595) - Leave this tormenting" available on May 19, 2009. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 135 in Alfred Deller: Madrigals, Complete Deller Vol. 5 by Alfred Deller, Deller Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The First Booke of Balletts to Five Voyces, xix (1595) - Leave this tormenting's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The First Booke of Balletts to Five Voyces, xix (1595) - Leave this tormenting by Thomas Morley, Alfred Deller, Deller Consort is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
Morley: The First Booke of Ayres: No. 1, A Painted Tale | Thomas Morley, Nikolaus Harnoncourt, Eugen Dombois, Nigel Rogers | A Minor | 2 | 8A | 90 BPM | ||
Tallis: Loquebantur Variis Linguis - 2. Repleti Sunt Omnes | The Tallis Scholars, Peter Phillips | F Minor | 1 | 4A | 61 BPM | ||
Galliard | Anon, Trinity Baroque, Steven Player, The Holbein Consort, Julian Podger, The Forbury Consort, Martin Pope, Alan Crumpler | A Major | 1 | 11B | 67 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
A vous, douce debonnaire (Rondeau) W! | Jehan de Lescurel, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 0 | 3B | 136 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM |
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