"Carmen: La Fleur Que Tu M'avais Jetee" by Slovak Radio Symphony Orchestra, Peter Dvorsky, Georges Bizet, Henri Meilhac, Ludovic Halévy was released on April 1, 1990. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Peter Dvorsky: Italian And French Opera Arias". In this album, this song's track order is #7. Based on our statistics, Carmen: La Fleur Que Tu M'avais Jetee's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen: La Fleur Que Tu M'avais Jetee by Slovak Radio Symphony Orchestra, Peter Dvorsky, Georges Bizet, Henri Meilhac, Ludovic Halévy having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischutz, J. 277: Huntsmen's Chorus | Carl Maria von Weber, Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Johann Friedrich Kind | D Major | 2 | 10B | 116 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
Guernsey [Sarnia Cheri (Guernsey Dear), "Sarnia, dear Homeland, Gem of the sea…"] | Domenico Santangelo, Peter Breiner, Slovak Radio Symphony Orchestra | E♭ Major | 2 | 5B | 175 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | F Major | 0 | 7B | 82 BPM | ||
East Timor ["Fatherland, fatherland, East Timor our Nation!…"] (short) | Afonso de Araujo, Peter Breiner, Slovak Radio Symphony Orchestra | C Major | 3 | 8B | 138 BPM | ||
Fanfare for the Common Man | Aaron Copland, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | C Major | 4 | 8B | 130 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 129 BPM |
Section: 0.7076313495635986
End: 0.7121791839599609