"3 Piezas, Op. 6: No. 1. Cuyana" by Alberto Ginastera, Claudia Corona was released on June 1, 2009. The duration of 3 Piezas, Op. 6: No. 1. Cuyana is about 3 minutes long, at 3:18. Based on our data, "3 Piezas, Op. 6: No. 1. Cuyana" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Piano Recital: Corona, Claudia - Zyman, S. / Ruiz Armengol, M. / Chavez, C. / Villa-Lobos, H. / Ginastera, A. (Musica Latinoamericana)". In this album, this song's track order is #10. 3 Piezas, Op. 6: No. 1. Cuyana is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Piezas, Op. 6: No. 1. Cuyana by Alberto Ginastera, Claudia Corona having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alborada del gracioso, M. 43: Assez vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Major | 1 | 10B | 121 BPM | ||
Harp Concerto, Op. 25: II. Molto moderato | Alberto Ginastera, The Norwegian Radio Orchestra, Sidsel, Miguel Harth-Bedoya | C Minor | 0 | 5A | 140 BPM | ||
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
Francesca da Rimini, Op. 25: Scene II: Moderato | Sergei Rachmaninoff, Mariana Zvetkova, Boiko Zvetanov, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 91 BPM | ||
Symphony for Strings in A-Flat, Op. 118a: IV. Allegretto (Transcribed from String Quartet No. 10) | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | C Minor | 0 | 5A | 120 BPM | ||
Corroboree: V. Closing Fire Ceremony | John Antill, Alberto Ginastera, London Symphony Orchestra, Eugene Goossens | A Major | 7 | 11B | 129 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
4 Pieces, Op. 51: 3. Poème ailé | Alexander Scriabin, Evgeny Kissin | B Major | 0 | 1B | 97 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM |
Section: 0.8963239192962646
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