"Harp Concerto, Op. 25: II. Molto moderato" by Alberto Ginastera, The Norwegian Radio Orchestra, Sidsel, Miguel Harth-Bedoya was released on September 13, 2019. Since Harp Concerto, Op. 25: II. Molto moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Alberto Ginastera, The Norwegian Radio Orchestra, Miguel Harth-Bedoya, Sidsel's "Ginastera: Harp Concerto, Op. 25 / Variaciones concertantes, Op. 23" album is number 2 out of 15. Based on our statistics, Harp Concerto, Op. 25: II. Molto moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Harp Concerto, Op. 25: II. Molto moderato by Alberto Ginastera, The Norwegian Radio Orchestra, Sidsel, Miguel Harth-Bedoya to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": III. Andante | Antonín Dvořák, Smetana Trio | F Minor | 1 | 4A | 85 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D♭ Minor | 2 | 12A | 94 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Vilde Frang, James Gaffigan, hr-Sinfonieorchester Frankfurt | G Major | 1 | 9B | 76 BPM | ||
Symphony No. 6 in D Major, Op. 60, B. 112: Symphony No. 6 in D Major, Op. 60, B. 112: III. Scherzo (Furiant). Presto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | D Major | 1 | 10B | 138 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 0 | 8B | 72 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Scenes de la foret, Op. 123: No. 1. Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, members | A♭ Major | 0 | 4B | 131 BPM |
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