Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset, Benoit Arnould made "Zaïs, Acte II, Scène 4: Pour le mortels les plus heureux (Cindor)" available on September 3, 2015. With Zaïs, Acte II, Scène 4: Pour le mortels les plus heureux (Cindor) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 80 in the song's album "Rameau: Zaïs". In this album, this song's track order is #15. Based on our statistics, Zaïs, Acte II, Scène 4: Pour le mortels les plus heureux (Cindor)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Zaïs, Acte II, Scène 4: Pour le mortels les plus heureux (Cindor) by Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset, Benoit Arnould having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Dardanus / Prologue: Air pour les Plaisirs (Très vif) | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | D Major | 2 | 10B | 125 BPM | ||
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM | ||
Cinquième concert: II. La Cupis | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 136 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Sonata in D Minor, K. 32 (Arr. for Guitar by Michael Lewin) | Domenico Scarlatti, Miloš Karadaglić | E Minor | 0 | 9A | 110 BPM | ||
Concerto In A Minor, RV 356: 2. Largo | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | G Minor | 0 | 6A | 68 BPM | ||
Les sauvages | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 118 BPM |
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