Wretched Albinus (Upon the Fall of the Earl of Essex, 1601)
William Byrd, Amsterdam Loeki Stardust Quartet, Connor Burrowes, David Miller
Consort Songs
2:30 January 1, 2006
BPM
79
Key
C Minor
Camelot
5A

Embed

Share Link

Wretched Albinus (Upon the Fall of the Earl of Essex, 1601) - William Byrd, Amsterdam Loeki Stardust Quartet, Connor Burrowes, David Miller Information

Acousticness
98%
Danceability
9%
Energy
6%
Instrumentalness
0%
Liveness
14%
Loudness
70%
Speechiness
4%
Valence
8%
Popularity
Loudness
-17.734 dB

Summary

"Wretched Albinus (Upon the Fall of the Earl of Essex, 1601)" by William Byrd, Amsterdam Loeki Stardust Quartet, Connor Burrowes, David Miller was released on January 1, 2006. The duration of Wretched Albinus (Upon the Fall of the Earl of Essex, 1601) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Wretched Albinus (Upon the Fall of the Earl of Essex, 1601)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 18 in Consort Songs by Amsterdam Loeki Stardust Quartet, David Miller, Connor Burrowes. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Wretched Albinus (Upon the Fall of the Earl of Essex, 1601) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Wretched Albinus (Upon the Fall of the Earl of Essex, 1601) BPM

The tempo marking of Wretched Albinus (Upon the Fall of the Earl of Essex, 1601) by William Byrd, Amsterdam Loeki Stardust Quartet, Connor Burrowes, David Miller is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Wretched Albinus (Upon the Fall of the Earl of Essex, 1601) Key

The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Byrd: Ye Sacred Muses by William Byrd, David James, London BaroqueByrd: Ye Sacred MusesWilliam Byrd, David James, London BaroqueB Major01B85 BPM
3 Sacred Songs, Op. 69: No. 3, Abendlied 3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden"Josef Rheinberger, Westminster Kantorei, Amanda QuistF Major27B134 BPM
Missa O lumen ecclesie: Kyrie by Jacob Obrecht, Ars Nova Secunda, Janos BaliMissa O lumen ecclesie: KyrieJacob Obrecht, Ars Nova Secunda, Janos BaliF Major17B76 BPM
Missa Tempore Quadragesimae, MH 553: Kyrie by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiMissa Tempore Quadragesimae, MH 553: KyrieMichael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiA Major011B77 BPM
D'un autre amer: D'ung aultre amer by Johannes Ockeghem, Capilla FlamencaD'un autre amer: D'ung aultre amerJohannes Ockeghem, Capilla FlamencaD Minor17A86 BPM
Introitus: Gaudeamus omnes in domino by Guillaume de Machaut, Ensemble Gilles Binchois, Dominique VellardIntroitus: Gaudeamus omnes in dominoGuillaume de Machaut, Ensemble Gilles Binchois, Dominique VellardE Major112B73 BPM
Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten by Johann Sebastian Bach, The Monteverdi Choir, John Eliot GardinerSinget dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen TatenJohann Sebastian Bach, The Monteverdi Choir, John Eliot GardinerD♭ Major13B76 BPM
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) by Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella AmsterdamQui en la garde du haut Dieu pour jamais se retire (Ps. 91)Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella AmsterdamB Minor210A91 BPM
3 Geistliche Gesänge, Op. 69: No. 3, Abendlied by Josef Rheinberger, Singer Pur3 Geistliche Gesänge, Op. 69: No. 3, AbendliedJosef Rheinberger, Singer PurE♭ Major15B135 BPM
Selig sind die Toten, SWV 391 by Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart JacobsSelig sind die Toten, SWV 391Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart JacobsF Major27B170 BPM
ISRC
NLA460610087
Label
L-M Records/RCA Records

Section: 0.8032691478729248

End: 0.8085715770721436