- BPM
- 122
- Key
- A♭ Major
- Camelot
- 4B
Old American Songs: The Boatmen's Dance - Set One - Aaron Copland, William Warfield, Columbia Symphony Orchestra Information
- Acousticness
- 99%
- Danceability
- 32%
- Energy
- 11%
- Instrumentalness
- 84%
- Liveness
- 11%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 18%
- Popularity
- 9%
- Loudness
- -21.304 dB
Summary
"Old American Songs: The Boatmen's Dance - Set One" by Aaron Copland, William Warfield, Columbia Symphony Orchestra was released on 1963. The duration of Old American Songs: The Boatmen's Dance - Set One is about 3 minutes long, at 3:15. Based on our data, "Old American Songs: The Boatmen's Dance - Set One" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 25 in Copland Conducts Copland - Expanded Edition (Fanfare for the Common Man, Appalachian Spring, Old American Songs (Complete), Rodeo: Four Dance Episodes) by Aaron Copland. Based on our statistics, Old American Songs: The Boatmen's Dance - Set One's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Old American Songs: The Boatmen's Dance - Set One BPM
The tempo marking of Old American Songs: The Boatmen's Dance - Set One by Aaron Copland, William Warfield, Columbia Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Old American Songs: The Boatmen's Dance - Set One Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | |
 | Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | |
 | Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | |
 | Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | |
 | The Land of the Mountain and the Flood, Op. 3 | Hamish MacCunn, Royal Ballet Sinfonia, John Wilson | B Major | 1 | 1B | 108 BPM | |
 | Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | |
 | Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | |
 | Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | |
 | Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.702749490737915
End: 0.7077686786651611