Johann Heinrich Schmelzer, Gunar Letzbor, Ars Antiqua Austria's 'Sonatae unarum fidium: No. 2 in D Minor' came out on March 18, 2022. Since Sonatae unarum fidium: No. 2 in D Minor is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Schmelzer: Violin Sonatas". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Sonatae unarum fidium: No. 2 in D Minor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonatae unarum fidium: No. 2 in D Minor by Johann Heinrich Schmelzer, Gunar Letzbor, Ars Antiqua Austria having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Sonata à 4 in F major, S-Uu 58:13 | Johann Heinrich Schmelzer, Musica Alchemica, Lina Tur Bonet | A♭ Major | 2 | 4B | 92 BPM | ||
Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Violin Sonata No. 1 in A Major, C. 138: IV. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Concerto grosso No. 3 in G Major, Op. 3, HWV 314: I. Largo e Staccato | George Frideric Handel, Klaipėda Chamber Orchestra, Andrius Puskunigis, Vincent Bernhardt, Mindaugas Bačkus | G Major | 0 | 9B | 48 BPM |
Section: 0.7184762954711914
End: 0.7245614528656006