"Messe de Notre-Dame: VII. Offertoire. Diffusa est gratia in labiis tuis" by Guillaume de Machaut, Ensemble Organum, Marcel Pérès was released on 1996. The duration of Messe de Notre-Dame: VII. Offertoire. Diffusa est gratia in labiis tuis is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Messe de Notre-Dame: VII. Offertoire. Diffusa est gratia in labiis tuis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Guillaume de Machaut, Ensemble Organum, Marcel Pérès's "Guillaume de Machaut: Messe de Notre-Dame" album is number 7 out of 12. On top of that, France appears to be the country where this track was created. In terms of popularity, Messe de Notre-Dame: VII. Offertoire. Diffusa est gratia in labiis tuis is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe de Notre-Dame: VII. Offertoire. Diffusa est gratia in labiis tuis by Guillaume de Machaut, Ensemble Organum, Marcel Pérès to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon of Holy Saturday, Ode 3 - Lesser Znamenny Chant | Archangel Voices | E Minor | 1 | 9A | 94 BPM | ||
Missa Kyrie fons bonitatisV. Agnus Dei | Gregorian Chants, Karel Frana, Boni Puncti | E♭ Major | 2 | 5B | 130 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Messe de Notre-Dame: II. Kyrie | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | A Major | 2 | 11B | 135 BPM | ||
Adoramus Te | The Schola Cantorum of St. John XXIII Parish | D Minor | 2 | 7A | 100 BPM | ||
I Weep And Sob | The Sirin Choir, Choirmaster: Andrey Kotov | A♭ Major | 1 | 4B | 139 BPM | ||
Messe de Notre-Dame: VII. Offertoire. Diffusa est gratia in labiis tuis | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | E♭ Major | 1 | 5B | 97 BPM | ||
Tempo Della Glora E Della Vita. Antifona D'Ingresso: Resurexi | Canonici Regolari Si Sant'Antimo | G Major | 0 | 9B | 133 BPM | ||
Antiphona "Alleluia", Psalmus 113 "In Exitu Israël", Antiphona "Alleluia" | Anonymous, Marcel Pérès, Ensemble Organum | E♭ Major | 1 | 5B | 126 BPM | ||
Messe de la toussaint : Introit gaudeamus psaume | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F Major | 0 | 7B | 134 BPM |
Section: 0.5692853927612305
End: 0.5726118087768555