"Messe de Notre-Dame: II. Kyrie" by Guillaume de Machaut, Ensemble Organum, Marcel Pérès was released on 1996. Messe de Notre-Dame: II. Kyrie appears to be safe for all ages as it is not explicit. The track order of this song in Guillaume de Machaut, Ensemble Organum, Marcel Pérès's "Guillaume de Machaut: Messe de Notre-Dame" album is number 2 out of 12. On top of that, France appears to be the country where this track was created. Based on our statistics, Messe de Notre-Dame: II. Kyrie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe de Notre-Dame: II. Kyrie by Guillaume de Machaut, Ensemble Organum, Marcel Pérès to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kyrie | Ars Veritas | B♭ Major | 3 | 6B | 163 BPM | ||
Õhtul | Kammerkoor Head Ööd Vend | E♭ Major | 0 | 5B | 141 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | ||
Quant je sui mis au retour | Guillaume de Machaut, Marc Mauillon, Pierre Hamon, Viva Biancaluna Biffi, Angélique Mauillon, Michaël Grébil | B Major | 1 | 1B | 87 BPM | ||
Mass for the Nativity of the Virgin: V. Graduel à deux voix "Benedicta et venerabilis" | Léonin, Ensemble Organum, Marcel Pérès | B Major | 2 | 1B | 135 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XV. Blessed is He Who Comes in the Name of the Lord | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F♯ Major | 0 | 2B | 77 BPM | ||
Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
Prima die Lectio prima: II. Aleph | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 0 | 11A | 135 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM |
Section: 0.7675487995147705
End: 0.7725577354431152