Georg Philipp Telemann, Jean-Pierre Rampal, Saar Chamber Orchestra, Karl Ristenpart made "Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: I. Ouverture" available on June 7, 2011. Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: I. Ouverture is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in Jean-Pierre Rampal, Jean-François Paillard, Karl Ristenpart's "Jean-Pierre Rampal Plays Mozart & Telemann (1956,1958)" album is number 7 out of 13. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: I. Ouverture is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: I. Ouverture by Georg Philipp Telemann, Jean-Pierre Rampal, Saar Chamber Orchestra, Karl Ristenpart to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In C Major, TWV 55: C6: II. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 2 | 8B | 124 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
Symphony in G Major, Op. 3 No. 1, WolS G2: I. Presto assai | Johann Stamitz, Musica Viva, Alexander Rudin | D♭ Major | 3 | 3B | 82 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: I. Allegro | Johann Friedrich Fasch, Il Gardellino | A♭ Major | 2 | 4B | 99 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Telemann: Concerto for Recorder and Flute in E Minor, TWV 52:e1: III. Largo | Georg Philipp Telemann, Frans Brüggen, André Rieu, Franz Vester, Gustav Leonhardt, Paul Doctor, Chamber Orchestra of Amsterdam, Concerto Amsterdam, Südwestdeutsches Kammerorchester, & Friedrich Tilegant, Franz Vester, Gustav Leonhardt, André Rieu, Concertgebouw Chamber Orchestra | E Major | 2 | 12B | 89 BPM |
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